two-person multi-site exhibition with Wenxin Zhang, curated by Belinda Ho-Yan Kwan
Through an active webcam, this interactive installation mirrors an ever-changing metaverse that interweaves undulating cartographic grids with dissolving contours of somatic movement from its audience and surrounding architectural space. The present and the past collapse when the moving images are projected onto free hanging mirror film scrolls. Physical reflections of bodily data fill the space with transient lights and shadows — the biodigital imagery invoking the networked world, colonized by computation on a planetary-scale, and also the liquid impermanence of consciousness and self.
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2020
filling the Klein bottle (x){(y){(z){}}}
Varley Art Gallery of Markham, InterAccess, Bunker 2 Contemporary Art Container, Toronto