when
what
where
2027
Notes from the ERROAR!
Sense Ratios: Volumes 4, Centre for Culture and Technology
writing in English
2027
M2M: Mouth to Mouth, Mouth to Machine, Machine to Mouth, Machine to Machine
Asian Diasporic Visual Cultures and the Americas (Volume 11)
interview with Fidelia Lam
2025
Yishu: Journal of Contemporary Chinese Art (Issue 104)
2024
Angelique Ford, Eating Language
Puja Journal, Issue 1 On Feeding (2024)
2022
CJSW 90.9 FM
interview
2021
The No Normal Podcast Episode Six: Spring Sprang!
New Music Edmonton
interview
2020
Emily Fitzpatrick, The Oral Logic by Xuan Ye
Peripheral Review
exhibition review
2020
Joy Xiang, Xuan Ye: The Oral Logic
Canadian Art Magazine (Spring 2020)
exhibition review
2019
Xpace Cultural Centre
exhibition essay
2019
Baron Mag
exhibition review
2019
Joy Xiang, Bending the light: A National Survey of 10 Artists
Canadian Art Magazine (Winter 2020)
feature
2019
Improvisation and Intervention with Xuan Ye
XX Files Radio
interview
2019
Traces: Xuan Ye
Project 40 Collective
interview
2018
Andrea Zittlau, Million Followers Popfeminismus und Online Kunst
KUNSTFORUM International (Bd. 257)
2018
Wenxin Zhang & Hao Hu, Border Resonance
Goethe-Institut Beijing
exhibition essay
2018
Roundtable Residency Artist Catalogue 2013 - 2018
Roundtable Residency
catalogue
2018
Fan Wu, I forget,etc.(after X. Y.)
Et Cetera
exhibition essay
2018
Atmosphere: Fog
DREAMERfty
interview
2018
Ophelia Lai, New Currents In Between
ArtAsiaPacific (Issue 111)
2017
Griffin Martell, You've Just Become Part of Me
SBVRSV Press
album review
2017
Brennan McCracken, OBEY X marks the spot
The Coast
2017
Jenn E Norton, Why Xuan Ye Rules
Kazoo! Fest
profile
2016
Why (Soma/Sound)?
Companion
writing in Chinese
2014
The History of Spatial Music (Richard Zvonar)
BeinGeneration
translation
2012
Boliang Shen, 20 Best Chinese Artists’ Websites
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