Xuan Ye

Coda

Coda, 1
Installation view at The Stories that Tell Stories, Trinity Square Video, Toronto, 2018. Photo: Toni Hafkenscheid.
Coda, 2
Installation view at Le Large, Galerie AVE, Montreal, 2019.
Coda, 3
Installation view at filling the Klein bottle (x) {, Varley Art Gallery of Markham, 2020. Photo: Toni Hafkenscheid.
Coda, 4
Installation view at The Pieces that I Am, UCCA Edge, Shanghai, 2022.

Coda, the passage that brings a music movement to an end, marks the beginning of the series. The first video channel shows the front deck and its ship flag announcing the various possible destinations. Another video reveals the rear view of a moving ship, with undulating water wakes, boundless ocean and sky.

The four staircases in the installation are a fragmented version of the Penrose stairs, a spatial model that violates the rules of Euclidean geometry. The illusion of ascending and descending on Penrose stairs is similar to the built-in staircases on cruise ships which appear identical and intentionally generate a sense of disorientation and confinement. As in a shopping mall, these architectural decisions are meant to be labyrinthine, encouraging the ongoing search for entertainment and consumable goods. Taking apart the Penrose stairs demystifies the incomprehensible geometry and symbolically disrupts the profit-driven design intentions of cruise ships.

Navigating the uncharted waters simulated by virtual time-space, the ship constitutes a perpetual attempt to leave the past behind. and move towards an uncertain future.

when
2018
medium
two-channel 4K video (b/w, sound, loop), galvanized plano-concave structure / wooden Penrose staircases
category
image, installation

related events

2022
UCCA Edge, Shanghai
2020
filling the Klein bottle (x){(y){(z){}}}
two-person multi-site exhibition with Wenxin Zhang, curated by Belinda Ho-Yan Kwan
Varley Art Gallery of Markham, InterAccess, Bunker 2 Contemporary Art Container, Toronto
2018
The Stories that Tell Stories
Trinity Square Video, Toronto

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