Xuan Ye

Belly of the Whale

Belly of the Whale, 1
Belly of the Whale, 2020.
Belly of the Whale, 2
Belly of the Whale, 2020.
Belly of the Whale, 3
Belly of the Whale, 4
Installation view at There is No Centre, Mackenzie Art Gallery, Regina, 2023.
Belly of the Whale, 5
Echos in the Belly of the Whale, installation view at filling the Klein bottle (y) {, InterAccess, Toronto, 2020. Photo: Natalie Logan.
Belly of the Whale, 6
Echos in the Belly of the Whale (diagram), 2020.
Belly of the Whale, 2020.
Overture, 2020.

Belly of the Whale, part of the series The Spectacles Before Us Were Indeed Sublime, takes the first chapter as a point of departure for a first-person view virtual reality experience of cruising. Passenger geo-locations are tracked and stored on the ship as data streams. Traces of their navigational paths are visualized as ghostly spectres, dynamically laid over time, visible in the following user’s VR experience. The micro-pathways of audience movements reflect the macro migration patterns and systemic structures of surveillance capitalism. An impossible staircase appears, using a generative algorithm to create new steps each time the user goes up or down, trapping them in a navigational loophole. While the user experiences the VR scenes, the brainwave headband worn by themselves or their surrounding peers feeds a custom software with the ebb and flow of their brain wave signals. The brain wave data is then translated into ocean-like waves of pink noise, sweeping viewers and listeners into the proverbial ocean.

when
2019
medium
virtual reality environment with data visualisations of user paths (VR headset and controller, in collaboration with Jonathan Carroll @spekwork), real-time EEG sonification  (brainwave sensing headset, surround sound, custom software system)
category
sound, software
credits

This project is supported by the Toronto Arts Council.

related events

2022
UCCA Edge, Shanghai
2020
filling the Klein bottle (x){(y){(z){}}}
two-person multi-site exhibition with Wenxin Zhang, curated by Belinda Ho-Yan Kwan
Varley Art Gallery of Markham, InterAccess, Bunker 2 Contemporary Art Container, Toronto